In the beginning, my thoughts were to research about
marketing to children and how consumerism is changing the culture of childhood.
This led me to reading about “new nostalgia.” It can be described as a
marketing tool of reintroducing past popular products, such as toys to a new
generation of kids. Thus, my direction shifted and then became more focused
with helpful advice from our professor in regard to choosing a relevant, iconic
type of toy, such as Barbies or a classic theme park such as Disneyland.
Thereafter, I chose Disney Princess. I read about how Disney was experiencing
financial trouble in 1999. The Disney princesses’ Snow White, Cinderella,
Sleeping Beauty, Ariel, Belle, Jasmine, and Mulan were marketed as a package. This
brilliant marketing campaign saved Disney’s lackluster sales. The Disney
princess brand now supersedes Mickey Mouse as being more popular (based on
sales) and has flooded the children’s market with dolls, costumes, books,
videos, and gadgets etc. I will be examining how Disney reinvented itself with
the princesses.
Popular Culture
Monday, December 2, 2013
Thursday, November 21, 2013
Research Paper: Assignment to answer rough ideas of topic and research question.
My topic for the upcoming research paper is on the
psychology of advertising to children, and how this leads to materialism. The
probable research question is: what are the current advertising strategies and
methods that marketers use to target pre-teens? The link to popular culture
regards how the modern strategies of marketing to children are accepted without
question by mainstream society. Marketing is pop culture in itself because it
represents the current trends—what is propagated by advertisers. Habitually
shown, it becomes a process of brainwash: “I must have this,” “I must be this,”
etc.
What I know (so far) on this subject is from a great
documentary called Consuming Kids.
Basically, the overall idea of the film highlights how children are being
influenced (nowadays more than ever) to consume. The film supports this
assertion by showing and discussing all the different ways children are being
manipulated with detrimental marketing tactics and how advertisers employ child
psychologists’ to research children’s behavior, and video graph children around
the clock etc.
How would I respond to answering my research question right
now? I would simply state: marketing to preteens has become more pervasive and
sophisticated. Additionally, even defining this demographic market is
difficult. What I still need to do is research more. Such as, why are these
advertising methods harmful? Why should society care? How will this affect
future generations? What are the differences with past marketing strategies
versus current tactics? Why has this come to be? Is it because of deregulation and/or
shifting cultural values? Why do advertisers have more leeway today? What can
be done to change this? What are the solutions? And many more questions can be constructed.
Thursday, October 24, 2013
Rough Draft Requirement
Two young women
have just arrived in France and their introduction to the City of Light begins
with a flirtatious greeting from a handsome, young man. The women are unaware
that this man has just targeted them for abduction. Hence, the movie Taken entertains us with the horrific
hypothetical fear of being kidnapped in a foreign country. The theme of this
sensational movie illuminates sexual exploitation under the context of a father
(Liam Neeson) trying to find and rescue his daughter from an underground network
of brothels. The target audience is teenagers and adults because the movie is
rated PG 13 and deals with mature content.
The cultural
beliefs of the movie reflect the stereotypical plot structure of placing the
divorced father into the passive role of having little control over the
decisions made by the permissive mother who grants permission for their
daughter to travel alone with her friend. The mother encourages freedom and
independence. Therefore, independence from one’s family is an implied value,
which needs to be accomplished regardless of the outcome. The value of
virginity in the female is also addressed by the fact that the daughter is a
virgin. Virgins are valued as “diamonds” in the slave trade.
Chasteness leads
to the attitude that women should abstain from sex until they are married
because this prevents them from becoming “used” products that no one will want
to “buy.” The attitude suggests that chaste women are able to survive. The
daughter’s virginity enables her to stay alive longer than her non-virgin friend
who is immediately placed inside a brothel.
First rate and second rate “packages” emphasizes
the narrative that women are being sold as stock in the slave trade. The risk
of allowing young women to travel alone without chaperones suggests a cautionary
narrative: women are vulnerable prey because their bodies continue to be
labeled and sold as commodities. Additionally, women still need their fathers
or a male hero to rescue them from their predicaments. Male chivalry relates to
the mythic knight who rescues the “damsel in distress” in fairytales. Cultural
entertainment must fulfill the typical mythology that our hero (the father)
will successfully rescue his daughter.The positive value of the film endeavors to generate awareness about the international exploitation of women being sold as slaves for prostitution. A father’s love and determination to rescue his daughter is also positive. The negative value suggests that a father’s wisdom is not culturally acknowledged until a crisis occurs to prove that he was right. The superficial mother holds all the power and her decisions veto input from the father.
Finally, Taken shines a spotlight on the corrupt
society in which we live. The contradictory value that society cares about
women’s bodies being sold as products reeks of hypocrisy. Ironically, our
culture openly capitalizes on exploiting women as “X-rated” models in
advertisements, music videos, and film etc. Propagating females as sexual
products for images supports the same undignified idea that human traffickers promote—a woman’s body is worth more
than her brain.
http://www.imdb.com/title/tt0936501/
Wednesday, October 9, 2013
Moving Forward to the Future Side Effects of Tracking
Internet users are held accountable for what they post or
view online. Indeed, we should be careful about what we post or view online. However,
we can no longer safely discern what is considered innocent self-disclosure or
innocent Web surfing. Imagine, an employed pregnant woman (similar to our
reading) innocently perusing baby related Websites or posting this news on
Facebook. She could be unwittingly tracked and fired. And she would never be
able to “prove” why. People are regularly fired and denied employment based on
their age, medical records, and credit scores.
Additionally, tracking people’s political affiliation and
who they vote for is unethical. The whole point of secret ballots is for
society to feel comfortable and secure that no one will be influenced or bribed
to vote for certain candidates. Potential employers could use this to decide
not to hire you, based on your political affiliation. Every corporation has its
own culture. Headhunters do searches for corporations that solicit potential
employees who fit their values and criteria of their particular corporation. It
is naïve to believe that people are simply hired for merit or experience.
The implication of tracking is that people don’t question
the legitimacy or ethics of this system. People become complaisant robots who
expect and tolerate trespassing. These “robots” readily defend tracking as if
it benefits them because they have become programmed to believe that this way
of life is “normal.” In later years, they will discover the consequences of
allowing private information to flow. They will become “cloned” by a “greater”
model of robots that will exceed them in being far more tolerant and subservient
to a governmental system where newborn babies will automatically be inserted
with microchips to be tracked for the rest of their lives. Thus, tolerating
tracking today leads to microchips tomorrow.
Thursday, October 3, 2013
Snuggle's the bear and little girl advertisement
The Ultra Snuggle fabric softener advertisement is cute.
This is my initial response to the adorable image of a little girl posing next
to the friendly “Snuggles” the bear stuffed animal. The beliefs of the ad imply
an ideal childhood with an animated sweet little bear. Thus, it evokes feelings
of innocence and happiness. Therefore, Snuggle is trying to sell me sentimental
good feelings to persuade me to buy their product. The advertisement is persuasive because it endeavors
to associate its product with feelings of nostalgia without making people
become aware of the “unconscious” link to childhood. The ad suggests that it is
just an innocent picture to symbolically show how soft and fluffy our clothes
will be (like the bear) if we only use Snuggles’ fabric softener.
Snuggles the bear is a very successful marketing tool
because it appeals to the attachments people held as children for their
favorite dolls or stuffed animals etc., and the stories we created with them.
Some children become so attached to their favorite “cuddly” that the thought of
losing one would be as devastating as losing a friend. Thus, the bear is not
only animated—he’s life-like. Snuggles had
appealing television commercials
as well: the bear could speak, move around, and lift up blankets. As if a kid’s dream came true—their bears are
realistically interacting with them! Thus, this appealed to children, and was
an excellent way to begin building brand loyalty at an early age. Or to at
least persuade children to become so interested in saying, “Oh, Mommy, why don’t
you buy the softener with the cute little bear on the label?”
The Snuggles bear also holds nostalgic feelings for American
history: the American version of a stuffed bear—“Teddy”—bear’s name—was inspired
by President “Teddy” Roosevelt. Therefore, Snuggles’ fabric softener appeals on
many levels of our emotions to persuade us to buy their product. Does it make
me feel like I need something that I truly don’t need? Of course, but
personally, and perhaps ironically I have never purchased Snuggles’ products. However,
I continue to adore the cute cuddly bear!
Note: I could not find a copy of the ad I have on the
Internet. However, here’s a commercial link for the bear. http://www.bing.com/search?q=+Snuggles+commercial+ads+from+the+1980s&qs=n&form=QBRE&pq=snuggles+commercial+ads+from+the+1980s&sc=0-0&sp=-1&sk=&cvid=94d377187cf84f76895a718205fc99af
Monday, September 23, 2013
Re: "The rising of Popular Culture: A Historiographical Sketch"
The article concludes with the thought
that popular culture is not controlled by the media nor pushed solely by the
people. Popular culture holds both elements. We are fortunate to learn about
certain historians who endeavored to analyze various forms of common
entertainment. This is wonderful information for separating and examining the
trends of each decade.
However, my
overall conception of the forces behind popular culture has not changed. In sociology, we learned about the roots of
mass consumerism and how psychology was implemented for marketing popular
culture. Freud’s nephew, Edward Bernays was so powerful that he influenced not
only culture but our government as well. Bernays was the manipulative “master
of capitalism” who defaced democracy with materialism. Century of Self: Part One, was one of the most influential films
that I had to watch in college, and it has continued to leave an indelible mark
on the way I perceive popular culture: “Passive consumerism=key to control!”
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